Women's Views on News |
- Human Rights Watch film festival
- Birth rate, life expectancy still rising
- Looking at three generations of women
| Human Rights Watch film festival Posted: 13 Feb 2014 07:04 AM PST
The 18th Human Rights Watch Film Festival in London will take place this year from 18 to 28 March, with a programme of 20 award-winning documentary and feature films. The festival will take place at the Curzon Mayfair, Curzon Soho, Ritzy Brixton and – for the first time – at the Barbican. The programme includes ten UK premieres and three exclusive previews organised around five themes: Armed Conflict and the Arab Spring; Human Rights Defenders, Icons and Villains; Lesbian, Gay, Bisexual and Transgender (LGBT) Rights; Migrants' Rights and Women's Rights and Children's Rights. "This year's programme demonstrates the risks filmmakers take to capture the stories behind the headlines, and our centrepiece film, the E-Team, reveals the tenacity and heroic efforts of human rights activists to bring war crimes to the world's attention," said John Biaggi, Human Rights Watch festival director. "We look forward as ever to welcoming many filmmakers and film subjects to festival screenings, which will give audiences insight and understanding into some of the most complex situations in the world today". On 18 March, at the Curzon Mayfair, a fundraising benefit film and reception for Human Rights Watch will feature a screening of Jehane Noujaim's Academy Award nominated The Square followed by discussion with special guests moderated by David Mepham, UK director at Human Rights Watch. Here are just some; those largely by, from or about women. The Opening Night event on 20 March at the Curzon Soho will be the UK premiere of ‘Dangerous Acts Starring the Unstable Elements of Belarus’, attended by the director Madeleine Sackler. The Belarus Free Theatre is an acclaimed troupe that defies Europe's last remaining dictatorship. With smuggled footage and uncensored interviews, Sackler's film conveys not only the group's great emotional, financial, and artistic risks but also their risk of censorship, imprisonment, and exile. This year's programme features a centrepiece event: a special preview of Ross Kauffman and Katy Chevigny's ‘E-Team’, winner of the Excellence in Cinematography Award, Documentary, at the Sundance Film Festival 2014. When atrocities are committed in countries held hostage by ruthless dictators, Human Rights Watch sends in the E-Team (Emergencies Team), a collection of fiercely intelligent individuals who document war crimes and report them to the world. Kauffman and Chevigny take viewers to the front lines in Syria and Libya, where shrapnel, bullet holes, and unmarked graves provide mounting evidence of atrocities by government forces. The crimes are rampant, random, and often unreported—making the E-Team's effort to get information out of the country and into the hands of media outlets, policymakers, and international tribunals even more necessary. Ross Kauffman, Katy Chevigny and the film's subjects will attend the festival screenings. The festival will also feature ‘Abounaddara Collective Shorts From Syria’ followed by a panel discussion. Abounaddara is a collective of filmmakers working towards providing an alternative image of Syrian society. Since April 2011, the collective has produced one short film every week, using a very particular cinematographic language – a sort of 'emergency cinema'. Working in a state of emergency, the collective's members are subject to certain constraints: difficult access to film sites, the need to protect the safety of those filmed, even the state of the internet connection. The event will include screenings of five Abounaddara Collective shorts and a discussion about 'emergency cinema' in the context of Syria and other countries in the region. Panelists include: Tamara Alrifai of Human Rights Watch; Rachel Beth Anderson, filmmaker of 'First to Fall'; and Charif Kiwan, spokesperson for the Abounaddara Collective Sara Ishaq is the is Yemeni-Scottish filmmaker of 'The Mulberry House', which has its UK premiere here. In 2011, after 10 years away, she travels back to Yemen and takes her camera along. She hopes to feel at home in the place that was once so close to her heart, but the complications soon become clear. Outside the gates of her family home, people are protesting President Ali Abdullah Saleh's authoritarian rule, and Ishaq and her family quickly become caught up in the movement. Ishaq contributes by acting as a local correspondent, sharing news with the international press. In this personal film, Ishaq captures events in her own home throughout this tumultuous period, when multiple changes are afoot. Sarah Ishaq will attend the festival screenings. Inspired by Samantha Power’s Pulitzer Prize-winning book 'A Problem From Hell', ‘Watchers of the Sky’ makes its UK premiere too. Winner of the Documentary Editing Award/US Documentary Special Jury Award for Use of Animation, at the Sundance Film Festival 2014, Watchers of the Sky is the latest documentary by the award-winning filmmaker Edet Belzberg. In her characteristic cinéma vérité style, Belzberg interweaves the stories of five exceptional humanitarians — Benjamin Ferencz, Raphael Lemkin, Luis Moreno-Ocampo, Samantha Power and Emmanuel Uwurukundo — whose lives and work are linked together by the on-going crisis in Darfur. Through the stories of these contemporary characters, the film uncovers the forgotten history of the Genocide Convention and its founder Raphael Lemkin, the international lawyer who dedicated his life to preventing genocide. A cautionary tale about the toll of American oil investment in West Africa, 'Big Men' reveals the secretive worlds of both corporations and local communities in Nigeria and Ghana. The director, Rachel Boynton, gained unprecedented access to Africa’s oil companies and has created an account of the ambition, corruption, and greed that epitomise Africa’s 'resource curse.' The film uncovers the human impact of oil drilling and contains footage of militants operating in the Niger Delta. Rachel Boynton will attend festival screenings. Can Candan's 'My Child' introduces a courageous group of mothers and fathers in Turkey, who are parents of LGBT individuals. They have not only gone through the process of accepting their children for who they are personally, but have taken the next step: to share their experiences with other LGBT families and the public. Seven parents intimately share their experiences as they redefine what it means to be parents and activists in a homophobic and transphobic society. Two of the film's subjects and two producers will attend festival screenings. A visual essay in five parts, 'Evaporating Borders', looks at what it means to be displaced and examines the idea of belonging and notions of diaspora, exile, and migration. Filmed on the island of Cyprus, one of the easiest points of entry into Europe, the film explores the lives of asylum seekers and political refugees. Through the microcosm of the current situation on the island, the filmmaker Iva Radivojevic explores tolerance and immigration practices throughout Europe and the Western world—where migrating populations have become subject to a variety of human rights abuses. Iva Radivojevic will attend the exclusive preview screenings. 'Scheherazade's Diary', another making its UK premiere, is a tragicomic documentary that follows women inmates through a 10-month drama therapy/theatre project set up in 2012 by the director Zeina Daccache, at the Baabda Prison in Lebanon. Through 'Scheherazade in Baabda', these 'murderers of husbands, adulterers and drug felons' reveal their stories—tales of domestic violence, traumatic childhoods, failed marriages, forlorn romances, and deprivation of motherhood. In sharing their stories, the women of Baabda Prison hold up a mirror to Lebanese society and all societies that repress women. Zeina Daccache will attend the festival screenings. Berit Madsen's 'Sepideh – Reaching for the Stars', introduces viewers to a young Iranian woman who dares to dream of a future as an astronaut. At night, she stares up at the universe. At home, full of hope and longing, she watches recordings of the first female Iranian in space, Anousheh Ansari. When her father died suddenly six years earlier, Sepideh discovered that she could feel closer to him by watching the stars. And so her dream was born. But not everyone appreciates her boundless ambition. As we follow Sepideh, it becomes clear just how much at odds her dreams are with her current reality and the expectations of those around her. Jasmila Zbanic’s drama 'For Those Who Can Tell No Tales' has its UK premiere here too. It was inspired by the play 'Seven Kilometers North-East' written by Kym Vercoe who plays herself in the film. A summer holiday in Bosnia-Herzegovina leads Vercoe, an Australian tourist, to discover the silent legacy of wartime atrocities in a seemingly idyllic town on the border of Bosnia and Serbia. An overnight stay at the Viilina Vlas hotel in Visegrad inexplicably gives way to anxiety and sleepless nights. Back in Australia, she finds out that the hotel was used as a rape camp during the war. Questions around the region’s atrocities begin to haunt her, as does the question of why the guidebook, or the town itself, made no mention of the event. The testimonies she later finds online compel her to return to Visegrad and investigate this hidden history for herself. ‘An Episode in the Life of an Iron Picker', from the acclaimed Bosnian director Danis Tanovic, enlists a cast of non-professionals to reconstruct a harrowing personal ordeal that became a national scandal. Struggling to make ends meet as a scrap-metal forager in the remote Roma community of Poljice, Nazif Maujic has a routine that becomes a desperate fight for survival when his partner, Senada, suffers a miscarriage. Without medical insurance or the means to pay the couple are denied admittance to the local hospital. So begins a hellish 10-day odyssey pitting the couple against social prejudice and a callous bureaucracy, exposing the institutional discrimination faced by Bosnia-Herzegovina’s Roma minority. In Hisham Zaman's 'Before Snowfall', another having its UK premiere, Siyar, the oldest son in his household, confronts the question of family honour after his older sister, Nermin, flees an arranged marriage. The film is a look at killing in the name of honour, at the intricate web of connections that sustain the brutal tradition, and the unbelievable lengths to which some will go to see it through. For more information on the rest of the Human Rights Watch Film Festival, click here.  |
| Birth rate, life expectancy still rising Posted: 13 Feb 2014 03:38 AM PST
Latest figures from the Office for National Statistic (ONS) and Public Health England reveal interesting changes in UK demographics. The trend of an increasing birth rate continues, with ONS analysis revealing that the nation's total fertility rate (TFR) is also increasing. The TFR is the average number of children a woman is expected to give birth to in her lifetime. So more women are having more children. The birth rate for mothers in England and Wales is now 18 per cent higher than it was a decade ago. And the population in Scotland has increased by five per cent since the 2001 census, the fastest growth rate between census years in the last 100 years. While immigration is a contributor to the increase in birth rate, the continued trend towards later parenthood, via advancements in fertility treatments, is likely to be a much greater influence. The ONS said that the TFR for UK-born women increased 'substantially,' from 1.56 in 2001 to 1.84 in 2011. Oliver Dorman, senior research officer at the ONS, told The Independent: “More and more mothers are having children at an older age. “We're seeing the same number of births for women aged 25-35, [and] we're seeing women having an additional birth later. “These top-up rather than replace younger births.” More births, and more births to older mothers – who are likely to have more complications – have put a strain on NHS midwives. In its 2013 State of Maternity Services report, The Royal College of Midwives (RCN) said that 85 per cent more babies were born to women in England aged 40 or over in 2012 than had been in 2001. And while the NHS was still experiencing a shortage in numbers of midwives, the shortage has fallen for the fourth year in a row. Att he other end of the life-line, recent Public Health England (PHE) figures have revealed a shocking difference in life expectancy around the country. The PHE found 57 districts where women are expected to live beyond the age of 90, but the life expectancy of women living in Bradford, West Yorkshire, is just 72.5 years. The Northburn estate, part of the 1960s New Town development of Cramlington, in Northumberland, now has the highest life expectancy for women – 105 years if she lived there her whole life – with Basingstoke and Deane a close second with a life expectancy of 104.3 for women. Male life expectancy generally continues to lag behind that of women, the highest figure for boys – at 97.7 years – being those born in Westminster.  |
| Looking at three generations of women Posted: 13 Feb 2014 01:09 AM PST
The Broken Leg Theatre, an award-winning, Brighton-based theatre company established in 2008, is currently carrying out research for its latest production, Three Generations. The idea is to draw on the experiences of real women growing up in the UK over the last 100 years. The ensuing play will then question if life is easier for women now or whether they face the same challenges as their mothers and grandmothers but in different guises. The company performed its first production in the basement of a small café and has since gone on to perform two home-grown plays at the Nightingale Theatre, the Hackney Empire and London's Greenwich Theatre. Co-directors and writers, Anna Jefferson and Alice Trueman are currently touring the country speaking to women of all different demographics about their experiences of growing up in Britain. They are keen to consider how life has changed for women in Britain over the past century, and have so far spoken to groups of women from city councils, universities, midwifery hospitals and retirement homes. Speaking to the Independent recently, Alice Trueman said; "We hope the Three Generations project will continue to grow beyond the development of our play and come into its own as a lasting collection of stories and an ongoing online resource." Please take a moment to help them with their research by answering some of their questions online too. Just select the ones you want to respond to and answer as many as you like. You don't have to answer them all. But bear in mind please that by submitting an answer you agree to allow the Three Generations of Women project to use the content under the Creative Commons Attribution. And while all the stories will remain anonymous, contributions or parts of them, might be produced for use by Broken Leg Theatre in performances and in publications related to the project. You can also simply click here and see what others have said. There is already tons of fantastic material on there - from bull-fighting grandmothers to thwarted witch-ambitions and over-plucked brows. And you can stay up-to-date with this project and all Broken Leg news on their blog, on Twitter and on their Facebook page.  |
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